As anticipation for the premiere of “Megalopolis,” Francis Ford Coppola’s first movie in additional than a decade, constructed to a fever pitch at Cannes, the director confronted accusations Tuesday that he tried to kiss extras throughout a nightclub sequence.

A report in The Guardian detailing the movie’s chaotic manufacturing stated that based on nameless sources, Coppola pulled ladies to take a seat on his lap, and tried to kiss scantily clad extras.

In response, a consultant for Coppola referred to an announcement from the manager producer Darren Demetre, printed by The Hollywood Reporter, through which he stated, “I used to be by no means conscious of any complaints of harassment or sick conduct throughout the course of the undertaking.” Demetre additionally famous within the assertion that in two days of capturing a “celebratory Studio 54-esque membership scene,” the director “walked across the set to determine the spirit of the scene by giving sort hugs and kisses on the cheek to the forged and background gamers. It was his manner to assist encourage and set up the membership environment, which was so necessary to the movie.”

The article centered largely on the film’s uncommon manufacturing circumstances and, citing an unnamed crew member, stated that Coppola stayed in his trailer for hours at a time, delaying filming.

Mariela Comitini, a primary assistant director on “Megalopolis,” informed The Occasions via a consultant, “I can say working alongside Francis Ford Coppola was an honor. I watched as Francis created a vibrant, skilled and constructive atmosphere on set, and I want I might be a part of the celebration in Cannes. As one of many business’s most well-respected grasp filmmakers, Francis was undaunted by the enormity of this enterprise, and he completed the movie on time and on finances.”

The report was printed prematurely of the movie’s Thursday premiere within the Cannes competitors, the place the stakes are excessive for the reason that film has but to search out U.S. distribution. (After an early screening for patrons, one supply informed Puck: “There are zero industrial prospects and good for him.”) On Tuesday, Coppola, finest referred to as the director of the “Godfather” trilogy, posted a teaser for the dystopian “Megalopolis” that mirrored historic Roman influences and featured hallucinatory particular results.

Coppola has been toying with the concept of constructing “Megalopolis” for the reason that Nineteen Eighties and ultimately bought a portion of his wine property to place up $120 million of his own money to get it made. The movie stars Adam Driver as an architect who desires to rebuild a futuristic New York. The architect has the flexibility to stop time, and over the course of the movie he comes into battle with future New York’s mayor, performed by Giancarlo Esposito, whereas additionally being romantically concerned with the mayor’s daughter (Nathalie Emmanuel). The movie additionally options Aubrey Plaza as a journalist named Wow Platinum, in addition to Jon Voight and Shia LaBeouf.

Coppola informed Self-importance Honest that he started writing the script in earnest within the final dozen years, and imagined “a Roman epic set in trendy America,” taking particular curiosity in a 63 B.C. incident referred to as the Catiline Conspiracy involving Cicero.

After all, stories of tempestuous productions are nothing new for Coppola, who made “Apocalypse Now,” a troubled manufacturing that was chronicled within the documentary “Hearts of Darkness: A Filmmaker’s Apocalypse,” that includes footage captured by his spouse, Eleanor Coppola. She died last month at 87.



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