Final yr’s Cannes Movie Competition was virtually a one-stop store for Oscar voters, premiering three main movies — “Anatomy of a Fall,” “The Zone of Curiosity” and “Killers of the Flower Moon” — that will go on to be nominated for finest image.

Does this yr’s crop of Cannes films have the identical juice?

On the 77th version of the pageant, which concluded Saturday, Sean Baker’s “Anora” was named the winner of the celebrated Palme d’Or. Three of the final 4 Palme winners went on to obtain a best-picture nomination — “Anatomy of a Fall,” “Triangle of Disappointment” and “Parasite” — and all of them, like “Anora,” have been distributed by the studio Neon. That’s an astonishing streak that positions “Anora” in one of the simplest ways attainable, lending a veneer of status to Baker’s raucous comedy a few Brooklyn stripper who marries into Russian wealth.

In 2018, Baker’s “The Florida Project” got here awfully near a best-picture nomination. If voters are extra amenable to his indie sensibility this time round, count on strong campaigns for the lead Mikey Madison and for Baker’s script and route. Extra of an extended shot however equally worthy is supporting actor Mark Eydelshteyn because the live-wire inheritor our title character weds: Although Oscar voters hardly ever reward younger males, this child’s a complete discover, like a Russian Timothée Chalamet.

In a shock transfer, the Cannes jury cut up the most effective actress award 4 methods, honoring the principle feminine forged of the talked-about musical “Emilia Pérez.” Which means the ensemble member Selena Gomez now has a Cannes trophy that has eluded the likes of Marion Cotillard, although I believe extra fruitful Oscar campaigns can be waged on behalf of the main girl Zoe Saldaña, who’s by no means had a extra strong position, and particularly Karla Sofía Gascón, who may change into the primary trans actress to be nominated for an Oscar. (The fourth winner was Adriana Paz.)

Netflix has picked up “Emilia Pérez” and will definitely give it a big awards push, although the streamer’s stewardship may have drawbacks. It’s true that it is a hard-to-classify movie — equal components crime drama, trans empowerment narrative and full-blown film musical — which might have made it a troublesome theatrical promote. However a few of its extra outrageous moments are sure to be memed and mocked as quickly because it makes its streaming debut, which may hobble the movie’s repute.

One of the best actor award at Cannes went to Jesse Plemons in “Kinds of Kindness,” who provides invaluable humanity to the cracked Yorgos Lanthimos movie, although its anthology nature — Plemons performs completely different roles in every of the film’s three tales — makes “Sorts of Kindness” an unlikely Oscar prospect. And although the talked-about horror movie “The Substance” gained a screenplay trophy at Cannes, it’s much more more likely to rating awards consideration for Demi Moore’s lead efficiency as an actress pushed to excessive lengths as she ages.

Two movies that did not win a prize or a distributor at Cannes are however hoping to mount a comeback bid this awards season. The Donald Trump biopic “The Apprentice” options Jeremy Robust as Roy Cohn in a juicy supporting efficiency {that a} studio may push if it have been keen to cope with the previous president’s legal threats in opposition to the movie. And although there can be critics and Oscar voters who admire the massive swing of Francis Ford Coppola’s self-financed “Megalopolis,” I don’t count on a lot traction for it outdoors of classes like costumes and manufacturing design.

“Furiosa: A Mad Max Saga,” which debuted out of competitors in Cannes and opened weakly in theaters on Friday, is one other possible tech participant: It ought to attain most of the identical below-the-line nominations that its predecessor, “Mad Max: Fury Street,” acquired in 2016, although image and director nods aren’t going to occur this time.

Cannes usually premieres most of the eventual international-film nominees, however this yr’s greatest contender comes with a couple of caveats. There isn’t a means Iran would choose Mohammad Rasoulof’s “The Seed of the Sacred Fig” as its official submission for the Oscar, since Rasoulof fled Iran to avoid an eight-year prison sentence for making films that criticize that nation’s authoritarian authorities.

Neon is aware of methods to navigate an Oscar bid for a movie that gained’t be submitted for finest worldwide characteristic — when France snubbed “Anatomy of a Fall” final yr, Neon was undeterred — although it could have helped if “Sacred Fig” had taken the Palme. However that is nonetheless a really accessible movie for voters who can be moved by Rasoulof’s personal story.



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